Knock off a Few Quick Pounds with Photoshop
By Dave Loebig
What one thing do most clients want done to their headshots? That's
right, they want the extra weight removed. Here's one quick way that takes
advantage of how the brain uses shadow to perceive depth.
Take a look at a thin person's headshot and notice that there's often a
shadow right under the jaw line. Depending on the lighting, sometimes it's
a very thin line, but sometimes it's wide and fairly dark. The brain
naturally uses it to give the perception of an edge at the jaw, so you
never notice it until you look for it.
Then look at a headshot of somebody with a little extra weight. The
skin under the jaw line hangs down some and catches light, thus there is
less shadow.
So, what can we do about it? We simply add a little shadow under the
jaw, and while we're at it, along the collar. Here's how I do it.
First, open the picture and create a new layer set above the picture. I
always name this layer set "Defatten," though I never tell my client. Type
D to set the default foreground and background colors.
Next, create a crescent shape that opens toward the top of the
picture.
Select the pen tool and select the "Shape layers" option.

Click at the back corner of the jaw line. Click and drag again closer
to the front of the jaw line. Click and drag again near the bottom of the
chin. Click and drag along the jaw line on the other side of the face, and
again near the back of the jaw line.

Click and drag below the jaw somewhere on the neck. Finally, click on
the first point you created to close the shape.
You should have a shape similar to this example.

Next, with the Direct Selection Tool touch up the shape so it lines up
with the jaw line. Type Shift-A to toggle between the Path Select Tool
(the black arrow) and the Direct Selection Tool (the white arrow--that's
the one we want).
Click and drag the anchor points to put them directly on the jaw
line.
You may also have to change the curve of the shape to line it up with
the jaw line. With the Direct Selection Tool, click a point on the shape.
Then click and drag a direction point to change the curve of the path.
Next, we're only going to use this shape layer to create a selection,
so turn the layer off by clicking it's eye icon on the layer palette.
Type Control-Shift-N (Windows) or Command-Shit-N (Mac) to create a new
layer. Type "Jaw Shadow" to name the layer and click OK. Hold the Control
key (Windows) or the Command key (Mac) and click the shape later to create
a selection.
You should be on the Jaw Shadow layer. Type Alt-Backspace (Windows) or
Option-Delete (Mac) to fill the selection with the foreground color,
black.

Type Control-D (Windows) or Command-D (Mac) to deselect. Type 5 to
change the opacity of the layer to 50 percent.
On this shadow, the edge near the jaw should have a slight blur. Select
Filter, Blur, Gaussian Blur. Choose around 1 or 2 pixels (higher for
higher resolution images) and click OK.
The bottom part of the shadow should be very light and blurred. Create
a layer mask by selecting Layer, Add Layer Mask, Reveal All. Click B to
select the Brush Tool, and select a soft edge brush of around 20-50
pixels. (The size depends on the size of the picture.) Type 4 to set the
brush opacity to 40 percent, and begin painting on the mask near the
bottom of the shadow. You'll end up masking most of the bottom part of the
shadow, but don't cover too much just yet.

Change the opacity of the layer to around 20 percent and see how the
shadow appears. Make it very subtle by adjusting the opacity of the layer
and masking and unmasking more or less of the layer until you have
something that looks real.
Finally, if the subject's shirt or jacket collar is touching the skin,
put a slight shadow in the space between the collar and the person's
neck.
Type Control-Shift-N (Windows) or Command-Shit-N (Mac) to create a new
layer. Type "Collar Shadow" to name the layer and click OK. Type P to
select the Pen Tool, and select the Paths option.

Type B to select the Brush Tool and choose a 3 to 5 pixel soft edge
brush. Type 0 (zero) to set the brush opacity to 100 percent, and click
the Paths pallete. Then click the Stroke path with brush icon.

Click on the Paths palette in the blank space below the path to
deselect it, and click the Layers palette.
Change this layer's opacity to around 30 percent. If the shadow is
still too sharp, blur the layer a few pixels or adjust the layer opacity
to create another subtle shadow.
That's a quick fix for a moderately overweight headshot. It doesn't
solve every weight related issue, but it quickly takes care of the basics.
The key is subtlety. Don't overdo it and don't make the shadows too
dark.

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